Miss Joyce Bryant, 1953

Her act was outrageously sexy; she wore provocative, tight, backless,  cleavage-revealing mermaid dresses that left little to imagine and they  were so tight, she had to be carried off-stage. Supposedly, Bryant  twisted so much she lost four pounds a performance.
Bryant’s hair was naturally black,  but not wanting to be upstaged by Josephine Baker at a club, she doused  it with silver radiator paint, slithered into a tight silver dress: the  Bronze Blond Bombshell and even Baker was impressed!
The gimmick  and Bryant’s elastic voice elevated the singer to heavyweight status.  She was called one of the most beautiful black women in the world and  regularly appeared in Afrocentric magazines like Jet. A Life magazine  layout in 1953 depicted the sexy singer in provocative poses.

Miss Joyce Bryant, 1953

Her act was outrageously sexy; she wore provocative, tight, backless, cleavage-revealing mermaid dresses that left little to imagine and they were so tight, she had to be carried off-stage. Supposedly, Bryant twisted so much she lost four pounds a performance.

Bryant’s hair was naturally black, but not wanting to be upstaged by Josephine Baker at a club, she doused it with silver radiator paint, slithered into a tight silver dress: the Bronze Blond Bombshell and even Baker was impressed!

The gimmick and Bryant’s elastic voice elevated the singer to heavyweight status. She was called one of the most beautiful black women in the world and regularly appeared in Afrocentric magazines like Jet. A Life magazine layout in 1953 depicted the sexy singer in provocative poses.

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    Joyce Bryant, 1953
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